Lin, Pei-Han is a multidisciplinary artist whose research-based works encompass painting, moving images, sculpture, textile, video, architecture, installation, sound, and text. She is doing site research between politics, environmental justice, and human rights. She combines analog and digital data forensics and uses protest and vulnerability investigations as her aesthetic. Lin’s methodologies initiate from empathy and include interview-based formats, computation, and 3d printing.
Lin is dedicated to exploring the intersections of culture, memory, and identity, inviting viewers to engage in critical dialogue and deep reflection on the complexities of cultural heritage and collective memory. Through immersive experiences and thought-provoking narratives, she integrates elements from various regions, amplifying marginalized voices and challenging contemporary social phenomena. Her art demonstrates the potential of art as a tool for political protest, revealing the shared colonial experiences and cultural erasure faced by marginalized communities, while sparking discussions on contemporary cultural identity, human rights, and external influences.
Lin holds a B Arch in Architecture Design from Shin Chien University in Taipei, Taiwan, and MFAs from the Art Academies in Trondheim and Tromsø, Norway. Her works exhibited across Norway and internationally, including Temautstilling, Bomuldsfabriken Kunsthall, Arendal (Norway, 2024), 29th Slavonian Biennial (Croatia 2024), Salon Galić, HULU Split (Croatia 2025), 47th Trøndelagsutstillingen at Trøndelag centre for Contemporary Art ,Trondheim (Norway 2023), Tromsø Kunstforening (Norway 2022), Bodø Biennale (Norway 2022), River Art Gallery, Taichung (Taiwan 2024), Eleven ten studio, Basel (Switzerland, 2024), and Vrba Gallery, Široki Brijeg (Bosnia and Herzegovina 2024), among others…
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林沛含是一位跨領域藝術家，其研究導向的創作實踐橫跨繪畫、影像、雕塑、紡織、裝置、聲音與文字。她的現地研究聚焦於政治、環境正義與人權的交會處，結合類比與數位的資料取證方法，並以抗議與脆弱性作為美學策略。她的方法論以同理為出發點，延伸至訪談形式、電腦繪圖與3D列印。
林的創作探索文化、記憶與身分的複雜關係，邀請觀眾進入批判性的對話與深層反思。透過跨地域的敘事與沉浸式的展覽經驗，她擴大被邊緣化群體的聲音，揭示共同的殖民經驗與文化抹除現象，同時探討當代文化身分、人權與外部影響之間的張力。她將藝術視為一種政治抵抗與社會對話的工具。
畢業於台北實踐大學建築設計學系，並取得挪威科技大學與特羅姆瑟藝術學院的藝術碩士學位。她的作品曾於挪威及國際多地展出，包括阿倫達爾的Bomuldsfabriken Kunsthall（挪威，2024）、第29屆斯拉沃尼亞雙年展（克羅埃西亞，2024）、HULU Split的Salon Galić（克羅埃西亞，2025）、特隆赫姆的Trøndelag當代藝術中心（挪威，2023）、特羅姆瑟美術館（挪威，2022）、波多雙年展（挪威，2022）、大河美術（台灣，2024）、Eleven Ten Studio（瑞士，2024），以及Široki Brijeg的Vrba Gallery（波士尼亞與赫塞哥維納，2024）等。